The Landscape of Letters

The term Topography of Type can not be used without mentioning the “Topography of Typography.” The Russian avant-garde artist and designer El Lissitzky coined the term in 1923 in reference to his thoughts about the changing nature of words on the printed surface. El Lissitzky told the reader “that the new book demands the new writer”, “that inkpot and quill-pens are dead”, and that “the printed surface transcends space and time.” Today we are constantly moving our reading experience back and forth between the printed surface (pages, signs) and the digital space. While this website documents—through images—a physical topographical experience beyond the printed book it also presents it in the space of bits and bytes.
Shop
Some stores hide their names behind glass, barely visible to the outside while bolder establishments are not shy to yell obvious messages down the street. Others confuse eager shoppers with mixed metaphors. This is the topography of shop type. See the galleries.
Pavement
There is typographical life on the surface on which we walk. Discarded type, lost memories, expired movie tickets and obscure poetry. It is nothing short of a treasure hunt to read what is right in front of us. See the galleries.
Dimensional
Reading around the letter forms. Approaching a message from all sides. Never shy of reading something into it when the depth allows. Go deeper. See the gallery.
A lot more terrain to cover with these topographies.

And then I stumble upon somebody else’s documentation of a certain public display of typography. It all adds to the experience of the typographical landscape. And as erratic and varied the physical topography of type can appear, so can this blog. There is this saying by graphic designers and users of graphic design “There is so much going on—I don’t know where to look.” And sometimes I just want to say: “Well, then change the way you look. You might see something you haven’t seen before.” Stroll or scroll down the blog.